I’ve been listening to Sonic Museum today, and blogged about it at New Music Strategies.
It got me thinking about how we experience things through our senses, and the way in which (as McLuhan would have it) new media extend our senses.
Simply put, television lets us see things that are much further away than our eyes would ordinarily allow. Radio does the same for our ears. But just as we can extend our senses in terms of distance, we can also extend them in terms of our relationship to time.
Recording can extend our hearing back through time. Digital editing and, in particular, hypertext changes the relationship of our senses to time and space. In a way, digital technology allows us to perceive in 4 dimensions, travelling up and down, side to side and jumping around in the chronology as we see fit.
We can see some of these things being explored in narrative. This is, admittedly, not new – and experimental cinema has messed with sequence for some decades. However, our capacity to process multi-linear and non-sequential narrative has changed with an increasing familiarity with the 4-dimensional perception that comes with digital media.
Mental note made to explore and research this further – and I’d welcome any links to work that may have already been done in this area.
I’ve been reading a lot about memory this past week, and one of the things that strikes me is that we don’t yet have a good enough model for equating the biochemistry of the brain with the experiential phenomenon of memory.
Jason Kemp 3:45 am on July 28, 2008 Permalink |
This is your brain on music has some useful reference points on the way that different elements and different theories of brain science can help us make sense of this.
The act of memory is far more than just recall. In simple terms we now understand that the brain adds weight to certain memories almost like applying experiential filters which actually distort memories and regenerate them with extra social indicators that have meaning for us.
I wrote about some of them over here
http://www.dialogcrm.com/blog/2007/08/22/uses-not-innovations-drive-technology/
The book This is your brain on music puts it all more elegantly but our brains are not neutral data retrieval systems. And yes external triggers like music and other vivid experiences all help to build a kaleidoscope of memories.
Like the Heisenberg uncertainty principle often translated as something like “the act of observation changes the act being observed” which is a bit like what seems to happen.
Each time the brain learns something new it is either added to a matching pattern area or depending on age and experience might even carve out now pathways in the brain. (or both)
So memory and the act of remembering adds layers of extra meaning to the situation and effectively this results in a “memory” that looks different to differnt people even if they were all present and trying to remember the very same event.
Actually even trying to describe some of this is not so easy. That is one of the other key points about Daniel Levitin’s book.
Researchers and academics often describe the very same things with wildly conflicting viewpoints. Some of this is semantics and some of it is lack of meaningful collaboration.
Jason Kemp 3:50 am on July 28, 2008 Permalink |
Last point was supposed to say
“Some of this is semantics and some of it is lack of meaningful collaboration…..
and some of it is just another example of the way that memory works.”
Also “carve out now pathways in the brain” should have read new pathways.